It does seem a little bit strange that New Orleans has such a powerful goth scene, but it’s been like that for awhile now. There are great goth bars all over the city, and in any crowd after dark there’s going to be a couple people wearing black and white stripes. But in a town that gets as hot as New Orleans does, mascara tends to run more than usual, and wearing layers of dark clothes can be a little unbearable. Sort of like being a clubber in February in Minnesota. But culture happens, and when it happens here, it’s all the way.
Even with the generous excesses of the city, and the penchant for public displays of distinctive over-the-top-ness, it’s still a very subtle place. The front of the city’s face can be rather bizarre and also rather extreme, most of the time, but the back is even bigger. One of the most wonderful things about it is its layer of complexity, where even something as innocuous as moss on a tree stump suggests a much deeper story. This is the milieu one walks into for the Southern Gothic Festival , and this year’s promises to be as good as they get. It is an extraordinary event, enough to warrant blocking off the weekend for the locals, and many New Orleans hotel s to be booked by the out-of towners.
Twelve bands are signed on for the July event, where it’s two nights on two stages. It’s slated to go from evening until dawn, and in New Orleans, they mean it. This year’s festival is at Howlin’ Wolf , and it’s nothing special for the venue to be open late even in the middle of the week. There’s no curfew in New Orleans, so some of the bars in town never close.
That can be good news for the barflies, but it’s even better news for someone wanting to check out what the locals and the rest of the world is offering for goth and industrial music these days. It promises to be a perfectly ghastly affair.


